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Anna Freud’s findings when she analyzed Marilyn during a week in London in 1956. Meanwhile, her panting fans included not just straight men but many lesbians, as other of these quotations reveal. Still, a number of Hollywood people in the know have left behind tantalizing statements about Monroe’s sexuality. Marilyn herself questioned her sexuality (as I discuss in my new book, Marilyn Forever), but her status as a heterosexual sex symbol made it impossible for her to reveal this side of herself to her public. And not to be overlooked is the close friendship that developed between veteran actress Barbara Stanwyck and her lovely young costar in Clash by Night (1952). Then there are the stories of Joan Crawford offering the newcomer quality cast-offs if Monroe would only try them on in Joan’s bedroom.
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Lytess was a lesbian, or at least a bisexual, with whom Monroe may or may not have had a dalliance in the early 1950s. Monroe would bring Lytess on-set to approve her work-much to the chagrin of her male directors-and Lytess was responsible for Monroe’s over-enunciation of dialog in early films like Gentlemen Prefer Blondes.
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MARILYN MONROE made her movie debut seventy years ago, in the 1947 vehicle Dangerous Years, and her career took off from there-thanks in large part to her five-year relationship with acting coach Natasha Lytess.